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Flat out fantastic
Not all artists are concerned with describing how objects look to the
eye at any given moment. For example, neither medieval religious
painters nor ancient Egyptian artists were particularly interested in
capturing how objects look to the naked eye. Instead, they felt that
objects should be depicted in accordance with their role in a cosmic
hierarchy. Many contemporary abstract artists also choose to depict a
flat, two-dimensional space for their own reasons. Working within
two-dimensional space, abstract artists can explore the relationships
of colors, textures, and flat shapes on the surface of the picture.
Adding another dimension to art
To describe the shape of any object and to fix its location relative to
other objects, we need to know its height, width and depth. We may find
images without these three dimensions difficult to grasp, so many
artists working in two dimensions help us out by creating the illusion
of three-dimensional space. For example, the image at left leads us to
imagine that there is a backside to the pyramid, creating an illusion
of three dimensions. This illusion of a deep three-dimensional space on
the flat two-dimensional picture plane has become imbedded as a
standard in Western art since the Italian Renaissance (roughly the 15th
to 16th centuries A.D.).
So close and yet so far away
In the modern urban landscape shown here, artist Bill Hudders uses an
array of Renaissance-era perspective techniques to create a sense of
deep space. Our eye travels across an expanse of water to a city
rendered using the classic rules of perspective. As the eye moves
toward the distant horizon, the objects get progressively smaller in
relation to one another. We read the relatively large chair as nearby,
and the comparatively smaller skyscraper as far away. The interior is
dark, and creates an architectural frame for the urban scene.
Why art is never one-dimensional
We learned in elementary geometry that theoretically, points and lines
have only one dimension but if you think art can be
one-dimensional, just try to draw a point or a line as shown below.
When you do, you'll notice that you've automatically given them two
dimensions: height and width. And you've not only created a
two-dimensional object, but also a relationship between this object and
the empty area around it. The point and line appear to lie in, on, or
even in front of the space that surrounds them. You are now working
with three dimensions, and have created the beginnings of an illusion
of space.
The links below will lead you further into a discussion about space.
Depth
Perspective
Other solutions
Next: Depth
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